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The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music.
The record blends avant-garde noise, lo-fi electronics, post-punk angularity, and fragile folk melodies into an unsettling but deeply personal soundscape
Chelsea Wolfe's album deliberately confronts the boundaries between dreams and reality to craft a score to that realm she describes as the "hazy afterlife".
A 1980 opus, natural successor to 'Revolutionary Dream.' Recorded at the peak of roots reggae, carrying messages of peace, revolt, and love with tracks.
Lost Machine – Live documents the legendary Canadian metal innovators onstage at Quebec City Summer Fest (July 13, 2019), delivering a ferocious set that spans their career
