Jack Tatum understands this balance, and through a decade making music as Wild Nothing he has learned to embrace both sides of that dynamic–but perhaps never as distinctly as on Indigo, the fourth Wild Nothing album. On one hand, it is a return to the fresh, transcendent sweep of his debut, 2010’s Gemini, and on the other, a culmination of heights reached, paths traveled, and lessons learned while creating the follow-ups, Nocturne and Life of Pause. Indigo finds Tatum at his most efficient, calculated, and confident–resulting in an artful blend of hi-fi humanity and technology that fires on all circuits and synapses.
Whereas Gemini was the sound of Tatum making the album he imagined in his bedroom and 2012’s Nocturne was the result of his first turn in a proper studio, followed by 2016’s Life of Pause, a multi-studio tinkering odyssey spanning time and spaces, this 2018 maturation finds Tatum arriving at total creative openness. “My entire 20s have been spent on this project, and in that sense you inherently find the limitations in what you make,” Tatum says. “With the last record I was trying to stretch out as far as I could, but with Indigo I’ve created something that has homed in on its own identity. My life has become less about chasing these creative bursts and more about learning to channel my creativity.”