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The fourth full-length album from the Indiana-bred, platinum-selling band marks a return to what Houndmouth does best: "shaggy, swinging, big-screen storytelling" (NPR Music) set to a rustic, home-recorded sound.
End of The World sees the pair find catharsis in art amid compound disasters. As Wilson describes it, "I just started signing about things that were freaking me out. Wearing a mask for a year. Global warming. "
Atavista took many shapes over the years to reach a final form. In each warm refrain, tight sequence, and carefully chosen collaborator, Gambino demonstrates why some things are worth waiting for.