The 18-track live record was recorded in an empty Red Rocks Amphitheatre during Rateliff's mid-September run of socially distanced shows, which was limited to 125 attendees per night in the 9400-capacity venue.
End of The World sees the pair find catharsis in art amid compound disasters. As Wilson describes it, "I just started signing about things that were freaking me out. Wearing a mask for a year. Global warming. "