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The fourth full-length album from the Indiana-bred, platinum-selling band marks a return to what Houndmouth does best: "shaggy, swinging, big-screen storytelling" (NPR Music) set to a rustic, home-recorded sound.
End of The World sees the pair find catharsis in art amid compound disasters. As Wilson describes it, "I just started signing about things that were freaking me out. Wearing a mask for a year. Global warming. "
Full conceptual album, presented in two versions: Metal and Orchestral. Ihsahn has created his most unique and powerful album to date. A potent combination of black/extreme-metal and orchestral music and soundtracks.