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The seventh studio album by the Fall (1984), and their first with Beggars Banquet label. Brix Smith co-wrote three of the tracks. Paul Hanley left the band immediately after the accompanying UK tour, ending the group's distinctive "twin drummers" period.
Given The Fall's penchant for iconoclasm, it's no surprise that they decided to say goodbye to the '70s with a series of gigs at Northern England's gruffest halls. The band's formidable live show was met with even more derision and disorder than customary
Made in the wake of the end of a long relationship, it’s an intimate, after-dark record that exudes the toughness and femininity of Janet Jackson circa Control and Annie Lennox on DIVA, exerts the classic songwriting of Kate Bush.