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Well written songs with acoustic guitar played over sweeping and emotional Pop Ballad instrumentation. There are even some short Jazz themed preludes to songs which add depth.
A mellow, melancholic record that blends elements of MPB, Italian soft rock, and jazz fusion. It diverges from their previous disco-influenced sound and embraces a more measured, almost dreamy, psychedelic pop style.
Delivering everything from swing jazz and twee indie pop to pseudo-mariachi and waltz, these sounds and their accompanying bizarre lyrics come together to match the existential title, "Everything is a Lot."
The terms "soul jazz" and "funky jazz" were coined as a way to describe this new sound that was making an impact in the US and also on the other sides of the Atlantic and Pacific oceans.
Interplay is a 1963 album from legendary jazz pianist Bill Evans, originally released on the Riverside label. Joining Evans are Freddie Hubbard (trumpet), Jim Hall (guitar), Percy Heath (bass), and Philly Joe Jones (drums).
Van Peebles' enjoyably eclectic score - blending jazz, funk, rock, rhythm and blues, proto-rap, and even bluegrass - and the songs "Love, That's America" and "Soul'd on You" as well as a special appearance by Estelle Parsons on "Where Are the Children."
Newly remastered, and with liner notes featuring quotes from fellow Tower of Power member Dave Garibaldi and Bay Area keyboardist Todd Cochran a.k.a. Bayeté that testify as to Chester Thompson’s greatness.