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With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa.
Isn't It Now? absolutely lands as a classic, it's mix of playfulness and earnestness, glittery pop and tessellated textures seeming to synthesize and update all that has ever made and still makes this band so compelling.
Maggie Lindemann has quietly emerged as one of pop's most subversive forces. "Knife Under My Pillow," "GASLIGHT!," and now "Loner" have all shown her progression as an artist as she comes into her own with a darker alt/punk/pop sound.
In honor of it's tenth anniversary, Urban Legends, is reissuing Nothing, the fourth studio album from N.E.R.D. The albums concept was to create a time capsule about America's divisions, "so that ten years from now people remember that era."
With greater emphases on melodic dynamics, it also demonstrates a broadening in Disturbed's musical range compared to their debut album. Believe was the last album to feature Steve "Fuzz" Kmak on bass, who was dismissed from the band in 2003.
To say that hip hop artist Kendrick Lamar's To Pimp A Butterfly has scored massively with music reviewers is an understatement on par with calling a trek up Mt. Everest "a bit of a hike."