Priority Mail = order by Dec. 17 for xmas arrival. Media Mail = in 2-8 biz days but not guaranteed. You are responsible for a secure delivery location.
Celebrated by HITS and The New Yorker alike for putting the "western back in country," Munsick honors his roots while navigating themes of family and love amid the backdrop of the Rocky Mountains.
Rhiannon Giddens reunites with her former Carolina Chocolate Drops bandmate Justin Robinson on What Did the Blackbird Say to the Crow, an album of North Carolina fiddle and banjo music.
If this is American nihilism taken to it's absolute zenith, then God's Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.
Down, Down, Deeper and Deeper... Into the Darkest Underworld: the Secret Museum of Forgotten Country Music Wonders. Most of these sides are impossibly rare and are reissued here for the very first time.
Wielding an ethereal croon and masterful whistle crafted from a lifetime chasing lizards through the Ozark hills, Nick Shoulders is a living link to roots of country music with a penchant for the absurd.
Two prime examples of modern alternative Americana music’s exciting trajectory: the Ozark-induced warbles and clever country stylings of Nick Shoulders, and the swampy pop songs and dreamy harmonies of The Lostines.
THIS IS A REMASTER OF THE ORIGINAL ALBUM.
Yankee Hotel Foxtrot was widely acclaimed as one of 2002’s best albums, appearing in year-end lists of Mojo, NME, Q, Rolling Stone, and Uncut, among many others.
Newly discovered vintage live recordings and unreleased studio tracks from synth-pop turned industrial metal icons Ministry! Includes a snapshot of Al Jourgensen and the band performing their first ever live show.
'Blood On The Tracks' – and boy howdy, did he mean it! Released in 1975, this is Bob's best post-Sixties album: a set of songs by turns angry, caustic and bitter and then rueful, wry and weary.
An artifact from the tortured '73 live tour following the release of Harvest. A divisive entry in Young's discography that captures him in one of the most interesting eras of his career.