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Soccer Mommy's album’s sonic landscape is vast and dexterous, with melodies that shimmer on the surface, but reveal an unsettling darkness with each listen.
With Turn Out the Lights, Baker returns to a much bigger stage, but with the same core of breathtaking vulnerability and resilience. From it's opening moments - when her chiming, evocative melody is accompanied by swells of strings - Baker throws open the
The third studio album by Julien Baker. It marks a sonic shift, with the songwriter's intimate piano and guitar arrangements newly enriched by bass, drums, keyboards, banjo, and mandolin with nearly all of the instruments performed by Baker.
Clean is Soccer Mommy's second release at Fat Possum Records, and is considered by singer Sophie Allison to be her true first album, as 2017's Collection was a compilation of older songs previously released on Bandcamp.
Drawing inspiration from unsolved mysteries - inexplicable cattle mutilations, the presence of God, the impossibility of femininity - Samia examines how shadows can loom larger than their source on her third record, Bloodless.
Requiem is not only excellent in its own right, but in capturing Jonathan at a transitional point in his life, you’re intrigued as to what comes next for him.
Ships 8/22/25 - Featuring a star-studded lineup, HEEL sharpens Leon's genre-blending mastery, drawing inspiration from the discipline and command behind its namesake.
As if Lady Gaga‘s debut album, “The Fame,” wasn’t loaded with enough hits-four No. 1s on Billboard’s Mainstream Top 40 chart, to be exact-the set’s companion EP boasts eight new tracks, nearly all of which are worthy of heavy rotation.
