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Not Motorhead's best but definitely some highlights on here, like Stone Deaf, Eat the Rich, and the title track. The band had just sacked drummer Pete Gill and brought back Phil "Philthy Animal" Taylor.
The 1977 debut of one of the greatest bands ever (the 'classic' line up of Kilmister, Clarke, Taylor) on white vinyl with a printed inner sleeve - originally released on Chiswick, they signed to Bronze Records by early 1978.
Bastards may be the most underrated Motorhead album ever. In addition to serving as a strong bounce back from the misguided March or Die, the album is just as good as the band’s best-known efforts and set a new standard for everything that followed.
Not all music needs to be built to last, but Voodoo was designed and willed and technically optimized to be a testament for the ages; it captures empty space and heartbreak as well as it does rim shots and joy.
Modern Vampires of the City is Vampire Weekend's third album, and it is a bustling world of voices and visions from the death of Henry Hudson to the Orthodox girl falling in love at an uptown falafel shop...
