Guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for.
The threads of our past never unravel, they hover like invisible webs, occasionally glistening due to a sly angle of the sun. Multi-Love reflects on relationships: airy, humid longing, loss, the geometry of desire that occurs when three people align
Recorded with Jason Quever of Papercuts, Sugar Candy Mountain's sophomore album sits comfortably between 60's Laurel Canyon bliss and more modern production of Dave Fridmann (Flaming Lips/Tame Impala).
The record features a "minimalist and crunch" sound, a more "playful vocal range" than his previous work, and explores themes of self-medication in place of self-care within everyday life.
Recorded and mixed with Tame Impala's Kevin Parker in Perth and at her grandparents' beach house in Cavalière in France, the 11-song set is a kaleidoscopic fusion of psych rock and warm hypnotic pop.
A minimalist rock album known for its abrasive and unique sound. It's characterized by its driving rhythms, sneering vocals, and lack of reverb, creating a powerful and misanthropic atmosphere.
Originally self-released under the artist name 'Stereotype' in 1994, an hour of raw, dancefloor-focused early Squarepusher productions, fueled by pirate radio and rave, remastered from the original tapes and recut as 2 x LPs.