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If Kick I was a multidimensional self-portrait that held all of Arca's many mutations, Kick II sees her deconstruct reggaeton rhythms she grew up listening to in Caracas, balancing structure and chaos to create her most accessible work yet.
With Kick IIIII, Arca focusesentirely on quieter ambient pieces, mainly on piano, plucked strings and swirling pads. Famed Japanese composer Ryuichi Sakamoto makes a guest vocal appearance on "Sanctuary".
The two biggest constants throughout Xiu Xiu's catalog are honesty and evolution. This remains true with Dear God, I Hate Myself as it delivers a look at responsibility, fear, healing, and societal roles wrapped in rich gothic pop music.