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The band's sound is easily compared to second wave post-emo indie rock bands of the late 90s and early 2000s- a dense textured sound with multi-layered and heavily effected guitars as well as synthesizer, cello, and trumpet.
The album was produced by the multi-Grammy Award winning Ariel Rechtshaid (Vampire Weekend, Haim, Adele) and contains 10 tracks informed by everything from lo-fi post-punk to indie-folk to early-'90s dance-pop psychedelia.
This is the second album of the Damon Edge era of Chrome and laid the groundwork for the hugely influential cold wave sound Edge developed through the '80s and into the early '90s!
In a remote Rocky Mountain hideaway, over the course of eighteen months, Dando, Alvarez and Stevenson created the first entry in the Lemonheads repertoire in a decade, with contributions from Josh Lattanzi on bass, The Band's Garth Hudson on keyboards and
SOPHOMORE STUDIO ALBUM FROM READING'S SLOWDIVE. Souvlaki was originally recorded in 1992 in the wake of the harsh criticism the band had received for the debut, Just For A Day.
An introspective, minimal electro-pop record steeped in regret, pain, and even more self-examination than a typical Kanye West album. Deluxe Edition with double-sided poster and lyric sheet.
The singalong choruses and visceral grit of Reinventing Axl Rose spawned countless imitators. If you're not familiar with this landmark record, well... you're doing it wrong.