Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner?
The All Seeing Eye is Wayne Shorter's brilliant and multi-layered album for Blue Note. His goal was to use "a wider range of colors and textures" while continuing his explorations of "life and the universe and God."