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The foundation of the composer's hand-picked roster of musicians provides a pervasive, fat-bass 'womp, womp, womp' ostinato with weight and heft courtesy of angry tuba, snarling trombones, electric bass and timpani; the ceiling comes from screeching reed
One of the few soundtracks Goblin did that was not a horror movie. Instead they nail the 70's police flick vibe perfectly, and in a way that only Goblin could do.
Ten years ago, Interpol’s debut album seized the imagination of a generation. The spare, lean textures, darkly oblique lyrics and suave stage presence were entirely different from the bands who preceded them on the charts and the radio.