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This aggressive collection draws from California's rich history of punk, more specifically hardcore: a new sound that eschewed melody for intensity, a sound that took punk harder and faster, a sound intrinsically
It found the band leaning even harder into their penchant for irresistible melodies, often with a much brighter sound than what could be found on Milo Goes To College.
1964 was momentous for saxophonist Wayne Shorter, starting the year in Art Blakey & The Jazz Messengers before making his own debut (Night Dreamer/JuJu). He joined the Miles Davis Quintet that summer, cementing a seminal lineup in jazz history.
Written and composed by guitarist and vocalist Pete Townshend, "Tommy" was about a deaf, dumb and blind boy. The album launched the band into mainstream stardom and to the international forefront.