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Survival depends on evolution. As conditions change and tides turn, we must change with them in order to stay one step ahead of the coming challenges. It's clear that Fit for an Autopsy have embraced that mantra...
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge.
Out of Season is the extraordinary 2002 album recorded by Portishead singer Beth Gibbons and former Talk Talk bassist Paul Webb (under the pseudonym Rustin Man).
A classic ZOMBIE album through and through with high-energy rages like The Eternal Struggles of the Howling Man and Get Loose to heavy-groove thumpers like Shadow Of The Cemetery Man and Shake Your Ass-Smoke Your Grass.
Benét's new album 'Make 'Em Laugh' is dynamic, vibrant, and genre fluid. Featuring friends like Faye Webster, Margaux, and AnnonXL, Benét's warm vocals shine on contemplative indie-rock tracks like "Pieces Of Me" and "Demon."
There's no real way around it: Kelsey Waldon's new album, Every Ghost, is heavy stuff. Across it's nine songs, she confronts addiction, grief, generational trauma, and even herself - and comes through it stronger and at peace.
Happy Tears is the debut album from 49th & Main. A duo known for combining sharp electronic, UKG and jazz-infused house with emotive indie and pop influenced songwriting.
"Color Him Father" is the sole album by The Winstons, released in 1969, and is renowned for its title track, a hit single about a boy's love for his stepfather. The album blends soul, funk, and gospel influences, featuring both original songs and covers.
Recorded with Sly & Robbie at Channel One Studio and mixed at King Tubby's, the album features hypnotic basslines, reverb-drenched keyboards, and fluid, start-stop rhythms.
Excavation feels like exploring an abandoned urban building in the middle of the night. It's dark and claustrophobic, sure, but it's allso quite metallic, and there's always a very ordered foundation leading these tracks.
A compilation album by Vivien Goldman exploring the role of women in the punk music scene. It focuses on how punk liberated women and challenges the male-dominated narrative of punk history.
The album features a selection of 50s Rhythm & Blues tracks, reflecting the music played at club nights. It's a Stag-O-Lee release and is considered one of their finest.
