YMO's Hosono teams up with ambient techno/house maestros Jonah Sharpe AKA Spacetime Continuum and Mixmaster Morris to bring the 90s rave chill-out room firmly into the 2020s.
On 'Slow Dazzle', Cale sounds like a jaded Brian Ferry whose syrupy croon is sliding downhill into a Sadian croak, a perfect fit for the songs of loss, betrayal and emotional damage gathered here.
1981's Magic, Murder and the Weather is repressed for the first time on colored vinyl and features unseen images and new notes from band members compiled and curated by Rory Sullivan-Burke.
On her long-awaited debut album, Hope Tala crafts an intimate musical language that feels equal parts romantic and philosophical - cementing her growing reputation as one of the most exciting voices in the R&B/neo-soul space.
An album of inter-dimensional back alleys, ghost cabs; it creeps and tunes in on a much darker, sparser, and more classically minded channel than it's predecessors.
Released in 1973, Neither One of Us, the ninth studio album by Gladys Knight & the Pips, was their most successful work, reaching No. 9 on the Billboard Top LPs chart and No. 1 on the Soul LPs chart.
The album features the studio versions of all the songs that were included in the documentary. The album also features 4 previously unreleased tracks including The Beatles classic “Michelle” which was recorded in June 1989.
The final recordings by Annapolis early emo pioneers The Hated, Flux compiles their 1989 acoustic and electric sessions, home demos, and live shards from their extensive archive.
THE FALL builds on Borusiade's mythos with it's 9 brooding and sophisticated tracks investigating the contours of memory and embodiment-the "fragile bridge between body and mind" in Borusiade's words.
Thirdface takes the most harrowing elements of punk, grindcore, and death metal and fuses them into a ferocious sound that is quite considerably their own.
"adedemola," the self-titled album from Fireboy DML, is a deeply personal statement, representing the culmination of years of artistic growth and self-discovery.
The Oh Hellos pulled inspiration from song arrangements performed on previous tours, medieval motets, moody yuletide carols predating the comfortable glow of mid-20th century nostalgia, and family-holiday-gathering traditions we love to pretend to hate.
The Twilight Sad are celebrating the 10th anniversary of their acclaimed fourth studio album, Nobody Wants To Be Here And Nobody Wants To Leave, with a special limited edition Demos version.
