Exodus, the unyielding masterpiece from hip-hip icon DMX, executive produced by the legendary Swizz Beatz, solidifies DMX as part of today's conversation and a forward motion in hip-hop.
Henry St. Notably marks the first time he recorded an album in a band setting. Now, longing for the energy that's only released when creating together with others, Matsson invited his friends to come and play.
A gorgeous and gripping portrait of Fenne's last two years, Big Picture was rarely easy for it's author to produce but it's contents offer a brilliant catharsis.
Downtown Science is the second solo studio album by American hip hop producer Blockhead, originally released in 2005. The beats are lush and emotional, while the sequencing is carefully scripted.
The Root Down EP from Beastie Boys was released on May 23, 1995. The first three tracks are variations of the track "Root Down", from the Beastie Boys' 1994 album Ill Communication. The remaining seven tracks were recorded "live in Europe, winter 1995".
American hip hop duo Atmosphere is back with a metallic silver vinyl 2 LP pressing of Southsiders, with clever lyrics and angst over the complications of life. They focus their lives and what it takes to get by on the straight and narrow.
Inimitable post punk insurgents! The John Cale produced '79 Model Citizens EP is finally available again, and with it comes unheard live recordings from Max's and Hurrah!
Weaves a patchwork of classic and contemporary influences that span roots, indie-folk, and other experimental musical idioms with songs that are personal, revelatory, and relatable, brimming with vulnerability, and a feeling of redemption.
Loaded with bass-heavy, disco-soul grooves over which Mundy's voice floats like a butterfly and stings like a bee, Mother Nature lives up to the collector hype.
a 27-minute, breakthrough salvo of six songs that finds the band re-inspired once again and is accompanied by an album length film shot in VR + 3D computed radiography technology.
The third in a series of collaborative EPs releases between Aesop Rock and Homeboy Sandman, Triple Fat Lice was born from touring together, where they built a connection beyond the music, resulting in a friendship that led to recording songs together.
Color Changes is considered by many to be one of the finest albums by trumpeter and pioneer of the flugelhorn in jazz, Clark Terry. Terry utilized specific arrangements by Yusef Lateef, Budd Johnson, and Al Cohn for the date.
All time must have for any jazz collection! Somethin' Else is an All-Star line up with simple classic arrangements. Spectacular. Remastered by Kevin Gray.
King Of Kings was recorded in 1974 and features a wide array of instruments including Ugandan Harp and Balafon. Perhaps best known for the expansive "Nsorama (The Stars)" a seminal work of Spiritual Jazz.
Wewantsounds announce a special edition of the legendary 1979 Masahiko Togashi album Song of Soil, recorded in Paris with Don Cherry and Charlie Haden and released on Japanese label Paddle Wheel. Supervised by Parisian producer Martin Meissonnier.
BOBBY HUTCHERSON / SAN FRANCISCO (BLUE NOTE CLASSIC VINYL SERIES) Limited 180gm vinyl LP pressing. The musical partnership between vibraphonist Bobby Hutcherson and tenor saxophonist Harold Land fully blossomed on the 1970 album San Francisco.
With over 12 billion global streams, and 27 million videos posted on socials using her music, Melanie Martinez reemerges with a spellbinding new trailer heralding the arrival of her hugely anticipated new album, PORTALS.
Building on the warm, elemental soundscape of 2021's 'Antidotes' EPs and the moody, elegant timbre of her cello, Chua self-produced and engineered 8 of YIAN's 10 tracks, spurred on by a call to true artistic integrity and authorship.
Remedy is Basement Jaxx's joyous debut album from 1999. It was one of the most assured, propulsive full-lengths the dance world had seen since Daft Punk's Homework.
Originally released in 1983, "From The Cradle To The Grave" is a seminal album in the UK punk scene, with its raw energy, socially conscious lyrics, and infectious hooks. The album's title track is a scathing critique of Thatcher-era Britain.
