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Like a fluorescent-lit snack-aisle oasis in some desolate interstate road stop, brimming with Skittles and limited-edition Sno Balls, Tacocat's Easter-egg-hued pop-punk-pop is bound to brighten up the most drab stretch of bummer back-road.
Lake Street Dive don't sound anything like a band you'd hear in a dive. They're a bright, bubbly pop-jazz quartet and write songs that would fit perfectly on an AAA, lite jazz, or adult contemporary station. - AllMusic
Alina Baraz, a Los-Angeles based singer and songwriter, is the "next leading star of the emerging class of leftwing pop singers." Alina invites listeners on an explorative journey that challenges their perspective and frees the mind of all boundaries.
Bacao Rhythm & Steel Band continues building their legacy and pushing the boundaries of steel pan music forward with another rock solid musical offering. Enjoy.
Originally released in 1985, this remarkable piece of artistry is now being reissued by SIC Records Balancing his day job as a dedicated high-school teacher, he poured his creative energy into producing and recording the entire album himself.
“Hello Hooray,” a new version of BILLION DOLLAR BABIES, is on the way as Alice Cooper’s delightfully subversive sixth album returns in all its snakeskin glory for an extended 50th-anniversary celebration.
Rather Ripped is generally considered one of the band's most accessible albums, featuring an abundance of concise and catchy songs that deal with melancholic topics about adultery, sexual frustration and infidelity.
Guitar-god riffs, choppy percussion, soul and funk. II, the sophomore album from UMO, emerged in an era rampant hedonism and isolationism and became the blueprint for everything Nielson has become renowned for.
Housed in a lift-top box with die-cut darkened window detail revealing the box contents, the set includes three 180-gram LPs plus a replica 7" single, along with a book featuring new liner notes by journalist David Fricke and interviews with the band.
This album collects Kay Adams' live studio cuts from the Buck Owens Ranch Show. Along with Tammy, Patsy and Loretta, Kay was one of country's first female artists who elevated women in the genre.
Self-written, produced and mixed by Krash over a span of five years, it’s an ambitious, deeply personal piece that sees Krash’s synth-powered production collide with rawly emotional songwriting.
