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At the time of its release in March 1990 -- just a mere two years after It Takes a Nation of Millions -- nearly all of the attention spent on Public Enemy's third album, Fear of a Black Planet, was concentrated on the controversy over Professor Griff.
It was inevitable that Alex Turner would incorporate the loungey swagger of his busman's holiday the Last Shadow Puppets into his main gig of the Arctic Monkeys, yet the soft louche touch of Tranquility Base Hotel + Casino comes as something of a shock.
The closeness of Natalie Mering's 3rd album conceals it's aspirations to the outside, to the "Earth" of it's title. These are not typical love songs or protest songs of folk before; they are painful, poignant riddles that celebrate the ambiguity of love.
The Grateful Dead forged its legend on the road, traveling countless miles between 1965 and 1995 to perform a world record 2,318 shows for millions of devoted fans.
Certain concerts create a legend as soon as the final note ceases to ring. Nirvana's headlining appearance at the 1992 Reading Festival is one of these shows, a concert that arrived at precisely the right moment and stands as testament to a band at the pe
If Mountain Moves were a movie, it would be a double feature, Journey to the Center of the Deerhoof and Escape from Planet Deerhoof, shown side-by-side simultaneously. The record epitomizes the band at its very best, exploring new realms between the poles
Fourth album from reconfigured rock titans and the first minus bassist Nick Oliveri. It's a mighty album that mixes straight for the jugular pop and rambling psychedelia.
Sorry You Couldn't Make It is the long awaited "country album" from the legendary Swamp Dogg, a.k.a. soul and R&B singer-songwriter Jerry Williams Jr.. Recorded in Nashville, featuring John Prine, Justin Vernon, Jenny Lewis, and others.
The Black Keys' first album in five years, Let's Rock, is out now on Easy Eye Sound / Nonesuch Records! It's a return to the straightforward rock of the band's early days.
History's pegged Jonathan Richman and the Modern Lovers as proto-punk, but it's only been with the benefit of hindsight that his music has found a place at all.
Light Upon The Lake marks the culmination of a short, but incredibly intense, creative period for the band. To say that Whitney is more than the sum of it's parts would be a criminal understatement.
On their eponymous 2013 debut, Nashville's Wild Feathers delivered a workmanlike, under-the-radar Americana/country-rock gem that invoked names like Bad Company, Tom Petty, Big Star, the Band, and the Boss.
The soaring choruses, rousing anthems, sprawling guitars and chaotic keys that make up Wolf Parade are on proud display over the course of Cry Cry Cry, the band’s thunderous first album in seven years.
The reissue features the original album, now on 2xLP for improved sound, along with the band’s pre-Sub Pop, self-titled EPs (released in 2003 and 2004), both of which are making their vinyl debut.
Allah-Las' second album, Worship The Sun, expands on the sound established by their maiden effort, honing their fusion of West Coast garage rock and roll, Latin percussion and electric folk.
Is This Thing Cursed? is the ninth studio album by American punk rock band Alkaline Trio, released on August 31, 2018 on Epitaph Records.[1] Produced and mixed by Cameron Webb, the album was announced alongside the release of the lead single, "Blackbird".
‘Navarasa: Nine Emotions’ is James Yorkston, Jon Thorne and Suhail Yusuf Khan’s third album in four years, and by now their mix of Yorkston’s gentle folk, Thorne’s driving jazz and Khan’s once-in-a-generation mastery of the sarangi – a bowed string instru
