Ellis, Dove - Blizzard LP (black vinyl). Moody, intimate songwriting from Dove Ellis; includes singles 'Pale Song' and 'To The Sandals'. Pressed on Black Butter.
Strut's reissue of the 1974 highlife classic, presented as two extended sikyi medleys anchored by churning organ, tight horns and propulsive drums; dark, late-night grooves built for the dancefloor.
Donald Byrd’s The Cat Walk; Blue Note Classic Vinyl reissue, stereo all-analog mastered by Kevin Gray and pressed on 180g; finds Byrd’s quintet (Pepper Adams, Duke Pearson, Laymon Jackson, Philly Joe Jones) swinging through taut hard-bop originals.
Cola's third LP, Cost of Living Adjustment, tightens their jittery post-punk into urgent, melodic songs; Hedgesitting and Conflagration Mindset linger like bright weather. LP pressed on tangerine vinyl.
Ryan Bingham returns with They Call Us the Lucky Ones, a road-worn ten-song LP tracked mostly live with The Texas Gentlemen; grit, short stories and a weathered voice.
Beaming's debut LP Horseshoe tightens bright indie-pop into a low-lit pulse - percussive, urgent, and oddly warm. Lead single 'say goodbye' snaps the hooks into place. LP (baby pink vinyl).
Jobi Riccio shifts from quiet folk to sharper indie on Face the Feeling. Eleven tracks, including lead single "The Ridge", pressed on black & white splash vinyl via Yep Roc.
Late-night, bilingual pop. Lolo Zouai's Reverie pairs intimate R&B-pop in French and English. CD digisleeve includes a 12‑page poster booklet and features collaborations from Dinos, Disiz and Lous and the Yakuza. Includes '3AM in San Francisco'.
A shadowy slice of late-60s UK psych reissued on vinyl. The Lemon Dips' Who's Gonna Buy? pairs fuzzed garage vocals with cinematic instrumentals; the title track is a standout.
Debut LP from NYC’s Hiding Places; ten intimate, slow-burning indie-rock songs pressed on eco-lavender vinyl; sparse drums, warm guitars and traded vocals, featuring the single "Waiting".
Toro Y Moi’s Anything in Return reissued as a 2LP on 'rose quartz' eco mix vinyl; the full 13-track album, including Rose Quartz. Limited edition pressing.
Barbarians of California boil L.A. hardcore into ten razor-tight blasts, hear 'Dopamine Prophecy', urgent riffs and shouted hooks, pressed on pink vinyl.
Brown, Nora - Sidetrack My Engine LP (green vinyl). A mono, live-to-tape reissue of vaulted Brooklyn cellar sessions: seven spare traditional songs with banjo and voice up close. Includes Frankie and Albert.
Iggy Pop’s The Idiot, produced with David Bowie, strips his roar into a cold, motorik pulse; Nightclubbing and China Girl stand out on this sparse, atmospheric LP.
Toxic Shock's Barricaded Suspects LP reissues the 1983 West Coast hardcore sampler; Pushead cover, curated by Bill Sassenberger, with a 20-page fanzine and standout Septic Death cut Eye (I) Missing.
Mspaint's No Separation 12" EP compresses their synth-punk into five urgent tracks; "Angel" cuts a scar of melody through the churn. Warm analog attack and compact grooves built for the needle.
Eleven concise, guitar-forward songs from Bob Mould, led by the title single; this LP is issued as an indie-exclusive white/blue/black multicolor smush pressing.
Tumor Circus - Meathook Up My Rectum 7" One-sided reissue: side A plays the bruising title track; side B is a Clive Barker etching. Features Jello Biafra with members of Steel Pole Bath Tub.
NOFX Half Album LP: five-song coda to the Double Album project, short and punchy punk featuring I'm a Rat; pressed on black and several colored vinyl variants, including a slipcase-colored edition.
Hard Copy is a 10-track LP of sneering, psychedelic punk from VR Sex; jagged garage riffs, space-echo textures and snotty power-pop hooks; songs like Real Doll Time land with a sharp, restless bite.
Skam - No Name LP collects previously unreleased 1982 to 83 punk recordings from the Bailey's Crossroads scene. Short, jagged studio and live cuts like 'No Name' capture the band’s raw, restless energy.
A raw compilation of Television’s pre-Marquee Moon demos from 1974-1975, early versions of 'Marquee Moon', 'Prove It' and 'Friction' that showcase the band’s jagged, interplay-driven guitar work.
