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Elaenia is a dazzling score which puts Shepherd in the spotlight as a composer who has produced an album that bridges the gap between his rapturous dance music and formative classical roots that draws upon everything Shepherd has done to date.
Mojave Desert finds Sam Shepherd in a thrilling sonic exploration of environment under an endless desert sky. It is the first in a planned series of environmental recordings by Floating Points recorded at different locations around the world.
Turns Into Stone is a comprehensive collection of early Stone Roses material, hits and B-sides of exceptional quality. Includes their biggest hit "Fools Gold"!
Songs for Pierre Chuvin is the 18th album by the Mountain Goats, released on April 10, 2020. It is the first album since 2002's All Hail West Texas to feature only the band's frontman, John Darnielle, as well as their first to be recorded entirely on a bo
Crush, twists whatever you think you know about Floating Points on it's head again. A tempestuous blast of electronic experimentalism whose title alludes to the pressure-cooker of the current environment we find ourselves in.
Panacea’s Raw Poetic has linked up with frequent collaborator Damu The Fudgemunk for a new album titled Moment Of Change. The Redefinition Records duo originally intended to drop the project later this year but moved up the release in light of COVID-19.
It seems like we've been hearing from R.A. The Rugged Man for years now, and, well, we have. R.A. has a storied background in hip-hop (doing joints with Mobb Deep and Biggy in the early 90's) but to no avail an album. Until now (2004).
group that thrives when free of expectations, The Clean's Robert Scott, Hamish Kilgour, and David Kilgour are, as Tape Op described, "a casually wonderful band."
Here are intimate battle cries. Here are shattered songs for the shattered survivors. "The Center Won't Hold drops you into the world of catastrophe that touches on the election," says guitarist/vocalist Tucker of the title track. 2019
The Cure’s 1989 album, released during what was arguably the band’s peak period. As the liner notes advise: "this album was mixed to be played loud, so turn it up.”
For their debut as a duo, Buford and Jones blend bracing and imaginative takes on rhythmic-centric forms of dub, breakbeats, hip hop and beyond for a phantasmagoria of bristling drumscapes.
