Can I go again?, the debut full-length album by Richmond, VA-based singer-songwriter Benét (Benét Nutall) is a diverse collection of contemplative, tightly-crafted indie-pop, rock, and soul tracks as emotionally resonant as they are infectious.
Glorious: The Ultimate Collection by Bananarama - Bananarama are releasing Glorious: The Ultimate Collection, a new compilation that celebrates four decades of music.
Sourced from the original analog master tapes, Mobile Fidelity's 2LP box set presents the landmark album with reference-grade detail, tonality, and directness.
Transient Random-Noise Bursts with Announcements is the second studio album by English-French rock band Stereolab, and is generally considered to be the band's noisiest release due to its emphasis on distorted guitars and keyboard sounds.
Apricot Morning was the precursor to the excellent Stampede (2003) and hints at the sound he arrived at with his Soul Orchestra, combining influences from Jazz, Hip Hop, Afro, Funk, Soul and Breakbeat to forge a style that is truly original.
Teenage Snuff Film is the first solo album by Rowland S. Howard. Former The Birthday Party bandmate Mick Harvey contributes drums, organ and guitar, while Brian Hooper of The Beasts of Bourbon features on bass guitar.
Listen to Mercury's debut chart-topping solo album that draws from the influence of disco, dance, and pop, while still providing that classic Freddie style
A mixtape that feels like both a celebration and a declaration; a living, sound system journey that merges soul, roots, hip-hop, dub, and electronic textures with a fearless spirit.
A complete album's worth of elemental mixes using the original multi-track recordings to present a very different audio picture of the album, with greater separation of instruments and utilizing many recorded elements recorded for the original mixes.
On Magnetism, Malone's poignant and evocative melodies manifest through McDowall's signature timbral synthesis, creating a unified voice that soars freely and radiates with vitality.
CONVR64 is the debut LP from Hattiesburg's MSPAINT, Post-American. While it may be tempting to pin MSPAINT down stylistically, with labels like "synth-punk," these attempts fail to capture a band that transcends the sum of its parts.
