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Meet Me in the City, released in 1999, is an eclectic combination of Kimbrough's live recordings, some of which were recorded in his house. The ambience is intimate with hypnotic guitar lines, brooding vocals, and mesmerizing grooves.
Monk, considered one of the greatest Jazz pianists of all time, recorded Underground in '67-'68. It's the last recording with the Thelonious Monk Quartet and one of the last albums he made for Columbia.
WaxTime Reissue. Coltrane's quartet joined by a big ensemble to bring the number of musicians to 21. It's big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that Coltrane had done.
Singer/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020's acclaimed Texas Sun project.
Carly Pearce expands her critically acclaimed 29 into the full-blown album/song cycle 29: Written In Stone. In classic Carly style, she captures the kind of true Country that's become the bellwether for the two-time ACM and CMA Awards winner.
A return to simple pleasures, nature, and an embracing of more pared-down songwriter sonics. So sure, things are different now Joe Mount is getting older and what's on his mind is changing, but that doesn't mark a change in quality for Metronomy.
Departing somewhat from the commercial sound of his previous release, the massively successful Purple Rain (1984), the album instead saw Prince experimenting with psychedelic styles and more opulent textures.
Remixes of Bristol-based DJ and producer Hodge's debut full-length album, Shadows in Blue. Enlisting artists such as Shanti Celeste, Surgeon, Anz, AYA, Facta & K-Lone and Kush Jones, Remixes in Blue is full of club-ready heavy-hitters.
Timed to coincide with the 50th anniversary of the landmark film's release, this new 180g LP version of the soundtrack combines nine Cat Stevens originals as well as - for the first time - additional dialogue and instrumental music from the film.
Two notable sidemen collaborate on an elusive instrumental album inspired by funk, West African, and Cuban music. The melodies are fleeting and the arrangements ever-shifting.
On their 3rd full-length, The Beautiful Liar, the multi-platinum-selling X Ambassadors pay homage to beloved fictions of their childhood, sharing songs that tell the tale of a blind teenage girl discovering her long-dormant superpowers.
Prince’s 1999 was released at a major turning point in the artist’s career. After years of struggling to break out of the R&B charts, he experienced his first true pop crossover moment.
Brawlers presents probably the best-known of Tom Waits' personalities, filled as it is with vocal cord damage, found percussion, old-timey arrangements, and cartoon-buzz lead guitar.
Juice finds the band moving into a more confident and polished direction, bringing to mind 1970s songwriting prowess with layered, and mature production sensibilities.
Released via Ninja Tune, Qualm has a duality that Hauff enjoys: the German word kvalm translates as fumes. The English meaning refers to a feeling of doubt or worry. Qualm is unapologetically raw and a return to her original MO - jamming on her machines.
Manila Ice is the debut of Filipino artist Eyedress. The album, recorded around the birth of his first child, represents the hopes and fears of a young parent as well as an escape from the dramatic political events unfolding in his home city.
