Evilive is a live album by The Misfits. It was initially released as a 7-song EP in December 1982 and later added 5 more songs and released as an album in October 1987.
Legacy of Brutality compiles a variety of Misfits rarities and outtakes, including the entire unissued portion of the band's unreleased 1978 debut, Static Age (several of its tracks that appeared on early EPs are not included here).
Inimitable post punk insurgents! The John Cale produced '79 Model Citizens EP is finally available again, and with it comes unheard live recordings from Max's and Hurrah!
Modern English used punk and post-punk roots as a chance to introduce a haunting, beautiful take on romance and emotion, while the contributions of Stephen Walker on keyboard helped make the album both of its time and timeless.
Rock 'n' Roll with the Modern Lovers is the second album released as Jonathan Richman and The Modern Lovers. The band, which is built around singer-songwriter and guitarist Jonathan Richman, almost totally focuses on the sound from the 1950s.
CONVR64 is the debut LP from Hattiesburg's MSPAINT, Post-American. While it may be tempting to pin MSPAINT down stylistically, with labels like "synth-punk," these attempts fail to capture a band that transcends the sum of its parts.
Beginning in the early 80's and continuing until their quiet demise in the early 90's, their music showed the world that punk rockers could play and be really good at it.
The first full length album from Naked Raygun in over 30 years! The band has so much history with WAX TRAX! Chicago. Whether it is singer Jeff Pezzati’s sister being the first official employee of the label, or his brother, Marco working the counter in th
Their anthemic style incorporated politics in a uniquely accessible way, melding pop and hardcore into one cohesive sound, that would later be dubbed, "The Chicago Sound".
Naked Raygun were an extraordinary staple in the Chicago music scene - beginning in the early 80's and continuing until their quiet demise in the early 90's, showing the world that punk rockers could play and be really good at it.
Confrontational, unhinged, and unabashedly queer, Music from Hell is an unholy grail for fans of the strangest underbellies of post-punk, minimal synth, and early industrial music.
Originally released as a 12-inch single in 1983. It appeared on CD versions of the band's second studio album, Power, Corruption & Lies Twelve inch vinyl repressing of this 1983 single from the Manchester legends.
Split almost evenly between guitar-driven post-punk tracks and synth-heavy dance cuts, the record embodies the dual identity that defined the band throughout the 1980s.
