Ships 2/20/2026 - Released in 2016, It's Immaterial found Black Marble refining it's coldwave and synth-pop foundations into a warmer, more melodic expression of isolation, longing, and quiet resilience.
Ships 4/3/26 - The 15-track album explores themes of technological overstimulation, modern alienation, and introspection, featuring collaborations with Tame Impala, Mac Miller, and Lil Yachty.
Ships 4/3/26 - The 15-track album explores themes of technological overstimulation, modern alienation, and introspection, featuring collaborations with Tame Impala, Mac Miller, and Lil Yachty.
Ships 2/6/26 - The album successfully bridged accessible electronic music with more experimental sounds, featuring ethereal vocals, 80s video game influences, and a distinct emotional core
Ships 2/20/2026 - A high-energy dance music genre that blends elements of pop, electro, hip-hop, and Latin rhythms, freestyle creates an irresistible urge to dance
Ships 8/23/24 - After years out of print, The Prodigy have re-pressed their third album in time for its 20th anniversary. The album features the hit singles 'Girls', 'Hotride' & Spitfire'.
Ships 9/26/25 - Purity Ring's self-titled fourth album marks the beginning of a bold new era, the duo have crafted a concept album that serves as the soundtrack to an imagined RPG.
It’s a record that effortlessly juxtaposes chopped up electronics and ghostly effects with James’ supersweet voice to create eleven strange but simple pleasures.
Sonically, the album blends trip hop, electronica, alternative, techno, and indie, drawing inspiration from artists like MF Doom, Massive Attack, and The Knife.
Apricot Morning was the precursor to the excellent Stampede (2003) and hints at the sound he arrived at with his Soul Orchestra, combining influences from Jazz, Hip Hop, Afro, Funk, Soul and Breakbeat to forge a style that is truly original.
Classics remains resolutely instrumental, but the band has introduced a wealth of new sounds, from acoustic and slide guitar to sleigh bells and cello. Their vastly improved production and writing makes this record a refinement of their art.
This is a record torn between a modern computer funk sound with links to the Hudson Mohawke brand of contemporary hip-hop, and archaic string, synth and guitar-led passages.
