Listen Up! Balances nostalgia with urgency, embodying the band's mission to inspire a new generation of fans while offering longtime listeners a renewed sense of strength, positivity, and joy-because, as Pundik sings on "Beer And Blood Stains," at the end
“With impossibly huge hooks and an innate understanding of every pop trick in the book, this follow-up to 2000’s breakthrough ‘Mass Romantic’ is the most exciting pop record we’ve heard in a long while.”
Even in it's darkest or most self-deprecating moments, there is an effervescence to the music here that is irresistible, an affirmation that the struggle of it's characters and the listener, like a photograph of a distant planet, is worth it.
Under the Moon' is a collection of songs that tell the story of everything that's happened over the past five years - from the lockdown that changed the world to the moment we sat down to record the album in December 2024.
Influential shoegaze pioneers, Failure, return after a half-decade with their seventh studio album, Location Lost (Failure Records/Arduous/Virgin). The LP features nine new tracks, showcasing a focused, modern vision of
Foo Fighters' latest, Your Favorite Toy, is their twelfth attempt to synthesize '90s stadium rock with dad-rock earnestness. For better or worse, the album is a relentless, sub-40-minute torrent of radio-primed anthems,
Chicago's Friko returns with their anticipated sophomore album, produced by Grammy winner John Congleton, embracing a bolder sense of abandon, exploring noise-rock, avant-garde classical & 70s-era symphonic balladry.
Metric's new LP, Romanticize the Dive (white vinyl edition), continues the Toronto outfit's tradition of fiercely independent, stylishly delivered synth-rock. Emily Haines' icy cool remains intact, charting a course through electronic textures and soaring
Theft World pushes Lip Critic’s chaos toward something eerily disciplined: two drummers, a fried sampler, and Bret Kaser’s preacher-in-a-burning-mall delivery locked into one ecstatic seizure. It’s dance music for a society being stripped for parts.
Singin’ to an Empty Chair turns absence into conversation, letting Ratboys chase grief through twangy power-pop, country shimmer, and guitar-band lift-off. This color vinyl edition makes the band’s most emotionally open set feel even more like a keepsake.
Crossing I's Dotting T's press their I Used to Be album onto vinyl: concise, chorus-forward alt-rock where jagged guitars meet aching hooks; 'November Cold' is the clearest example of the band's taut emotional bite.
British electronic band New Young Pony Club was formed by Andy Spence and Tahita Bulmer in 2004. Influenced predominantly by post-punk and new wave artists, their 2007 debut album Fantastic Playroom was nominated for the Mercury Prize.
Vinyl LP pressing. 'Altar' is the second album from "Ireland's next great guitar band", and the third album from their prolific frontwoman Julie Dawson. "I liked the Newdad album, that's been on in my car for a long time" (Robert Smith).
Ben Nichols is best known as the frontman and songwriter for the long-running Memphis rock band Lucero. Now, at age 50, he is releasing one of his most personal pieces of work, a rare solo album titled In the Heart of the Mountain.
Night Moves return with Double Life, a soft-focus rock record shaped by hard luck and long drives. Its warmth feels earned, its coolness unforced, its rough breaks buffed into AM-gold shimmer.
Nihilistic Easyrider is the brainchild of Narrow Head frontman Jacob Duarte-but make no mistake, he's not going solo. DELUXE EDITION is a mixtape of sorts, a collection of songs written at various intervals throughout Duarte's career.
Originally released in June of 1989, Bleach was widely recognized as a record music retailers should probably order after that one with the naked baby on the cover did so well in 1991.
In 2013, Albini, Noveselic, Grohl, and Smear remixed In Utero and produced what is probably the closest we'll get to the original 100% Albini mix famously rejected by DGC. This is it.
Engineer-producer Steve Albini has enabled Nirvana to replicate the savage immediacy of their live sound-the sound of a band without commercial aspirations or pretensions, just thrashing away for the sheer joy of noise.
First-time stand-alone vinyl release of the Nirvana concert video LIVE AND LOUD from the MTV-shot performance in Seattle on December 13, 1993. Pressed on 180-gram black audiophile 2LP vinyl edition in a gatefold jacket with replica backstage pass audio do
Certain concerts create a legend as soon as the final note ceases to ring. Nirvana's headlining appearance at the 1992 Reading Festival is one of these shows, a concert that arrived at precisely the right moment and stands as testament to a band at the pe
