Good Company is the debut album by the Canadian folk-bluegrass quartet The Dead South. It is widely considered the record that defined their signature "acoustic outlaw" sound, blending traditional bluegrass instrumentation with a raw, punk-rock energy.
O Brother, Where Art Thou? which is certified 8 times platinum by the RIAA, reintroduced traditional American roots music to the masses and brought genres like bluegrass, gospel, blues, country, and folk back to the mainstream.
Bird pares his baroque folk into taut, literate pop on Are You Serious; an 11-track LP with guest turns from Fiona Apple and Blake Mills; 'Capsized' leads a warm, wry set.
Taxpayers' A Rhythm in the Cages LP on random color vinyl. Twelve short, urgent folk-punk songs, ragged harmonica, raw vocals and sputtering guitar, including "Never Getting Warm".
A clean pressing of Dylan's spare 1967 John Wesley Harding, pared-back arrangements and lean storytelling. Features 'All Along the Watchtower' and eleven other terse folk-country songs. LP on Sony Legacy.
Harley Poe - Have a Great Life LP. Cheerfully morbid folk‑punk from Joe Whiteford, equal parts grim story and singalong; includes 'Eat Shit And Die' and a raw cover of 'Where Is My Mind?'. New Chain Smoking Records vinyl pressing.