Superjudge is Monster Magnet’s fuzz-worship scripture, a churning mass of stoner-rock swagger, psychedelic drift, and riffs that seem to arrive trailing smoke. This 2LP edition gives the band’s early cosmic thunder room to orbit.
Soulwax's fourth studio album, Nite Versions, contained reworkings and remixes of tracks from their earlier album, Any Minute Now, in an unabashed hommage to of the sound of early-'80s dance mixes.
Griffin's use of rap, electro and cool jazz (he often plays like Miles Davis) is perhaps why his title "Falling Elevators" was chosen to illustrate an ad for the 501 Levi's brand which achieved great success.
The LP is an eight track story about lust, attraction, attachment, and rejection; the landscape of love. The songs are inhabited by moving images that neither start nor end.
Nation of Language crystallize their nocturnal synth-pop on Strange Disciple CD, ten lean, bass-forward songs (including "Sole Obsession") built for late-night momentum.
Monster Magnet’s Dopes to Infinity on 2LP - widescreen, fuzz-drenched space rock made to hit hard on vinyl. This two-LP pressing foregrounds the band’s heavy low end and anthems like "Negasonic Teenage Warhead."
God Says No finds Monster Magnet dialing down the cartoonish blast-off just enough to reveal the machinery underneath: heavy grooves, acid-rock haze, and Dave Wyndorf’s cosmic sneer moving through a more cinematic frame.
When dEUS released their debut album Worst Case Scenario in 1994, it didn't just introduce a band, but quietly rewired the possibilities of European alternative rock.
