Limited 180 gram vinyl edition of Otis 1964 debut. Includes "These Arms of Mine", "Stand By Me" and "You Send Me" and features the rhythm section from Stax house band Booker T and the MG's and the horn players from the Mar-Keys.
In this comprehensive album hear the best of Sly and The Family Stone! Featuring "Family Affair", "Dance to the Music", "Stand!", "Everyday People", "Hot Fun in the Summertime", and many more.
Monk, considered one of the greatest Jazz pianists of all time, recorded Underground in '67-'68. It's the last recording with the Thelonious Monk Quartet and one of the last albums he made for Columbia.
Ministry's third album from 1988, originally released on Sire, marked a turn for the band. In this one they brought in more heavy metal guitars to their EDM approach.
Glassjaw have moulded a more melodic sound into their visceral aural battering, creating, a far more accessible album – as you'd probably expect from their major label debut.
A summation of everything the group had learned on their first three albums. It presents a similar combination of prog epics, heavy rockers, and songs that combine both elements, but everything is raised to a new level of inspiration and polish.
KORN is the eponymous debut studio album by the American Nu-Metal band Korn. It was released in 1994, right after the band toured with Biohazard and House of Pain.
Curtis/Live! Is Curtis Mayfield's first live album after leaving the Impressions. Originally released in 1971 as a double LP on Mayfield's Curtom label, the album's 16 tracks along with Mayfield's interstitial raps on the politics of the day were recorded
Blue Day is a compilation album by English shoegaze band Slowdive. It was originally released in 1992 and compiles the first three Slowdive EPs: Slowdive (missing the track “Avalyn II”), Morningrise (in its entirety), and Holding Our Breath (missing the S
OutKast's debut album shows one of the most distinctive production sounds in the '90s: part hip-hop; part live, Southern-fried guitar licks and booty-thick bass runs; and part lazy, early-'70s soul. (180g.)
Dolly Parton had a number of hits in the late '60s as Porter Wagoner's duet partner, yet solo success eluded her until her 1971 album Coat of Many Colors.
With Rejuvenation, The Meters maintained their stripped down song structures and impeccable interlocked grooves while still leaving space for inspired jamming.
