Acclaimed harpist and songwriter Mikaela Davis' new album, Graceland Way, builds an expansive, kaleidoscopic neo-western dystopia with subtle exploration of light and dark, grace and struggle, rose and thorn, and their meeting points.
Portland's Summer Cannibals return with Full of It, a slab of blues-inflected punk rock packaged in "Baby Blue Opaque Vinyl." The record's raw, unvarnished energy—forged in the city’s DIY circuit and blessed by Larry Crane—feels like a necessary, if famil
No Lube So Rude exists at the intersection of the personal and the political, where the body serves not only as a sexual and spiritual vessel, but also as the front line in a battle for basic human rights.
No Lube So Rude exists at the intersection of the personal and the political, where the body serves not only as a sexual and spiritual vessel, but also as the front line in a battle for basic human rights.
On red clear vinyl - Hailed as a "future folk hero" by Alternative Press, Elliott Smith's Either / Or represents a stylistic and songwriting breakthrough, taking it to the "next level," creatively speaking.
