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Sixteen Horsepower's second album finds them at the peak of their powers- as their hypnotic, rustic country-rock ebbs and flows into new and unexplored worlds.
The Bleachers' third album Take The Sadness Out Of Saturday Night. Ahead of the album release, The New York Times put out a piece that called Bleachers' new music "anthemic life-affirming pop-rock".
In Ants From Up There, Black Country, New Road creates a singular sonic middle ground that traverses classical minimalism, indie-folk, pop, alt rock with a distinct tone that is already unique to the band.
OutKast's debut album shows one of the most distinctive production sounds in the '90s: part hip-hop; part live, Southern-fried guitar licks and booty-thick bass runs; and part lazy, early-'70s soul.
Dre and Big Boi fill their technicolor vision with the ghosts of Sly Stone, James Brown and, most notably, Funkadelic-era George Clinton. Factor in some distinctly unorthodox production and you've rap at its risk-taking best.
Lil Skies created Unbothered from a series of fiery freestyles, but each song on the album feels precise and organized. It's lyrically characterized by suffering and redemption while lingering with perseverance and rebirth.