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Vince Taylor, the Black Archangel of rock n' roll, agrees to come and record "Rock'n Roll Station", a piece of futuristic clinking of a bicycle wheel. Other sessions contrary to custom, a pigsty with microphones mired in the middle of unruly pigs, towels shaken by Pierre Bastien in the middle of this "bric-a-brac" a noisy piece in homage to Luigi Russolo repertoire reorganized by bonuses and unpublished from the same period.
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