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Musically, there are bits of The Stone Roses, "What's The Story Morning Glory", and "Nevermind". As catchy as those reference points are, it's the songwriting that has won the band a fiercely dedicated following; a mix of the observational storytelling of
It was inevitable that Alex Turner would incorporate the loungey swagger of his busman's holiday the Last Shadow Puppets into his main gig of the Arctic Monkeys, yet the soft louche touch of Tranquility Base Hotel + Casino comes as something of a shock.
Arriving on a wave of well-earned hype rooted in tight chops and a confident swagger, The Strokes offer a Rock & Roll antidote to the plague of boy bands, teen divas, and petulant rap-rock outfits.
The Strokes' fifth album is immediately appealing as they sound like they’re genuinely having fun. At times it feels like a mixtape the Strokes made for themselves: 11 songs, 11 different genre experiments.
Ships 9/27
A Los Angeles singer/songwriter with an acute gift for intimate and detailed introspection, Christian Lee Hutson threads through avenues of light Americana, smart indie pop, and lo-fi folk storytelling.
A glorious return to the iconic grooves of an era indelibly marked by Benny Moré and Perez Prado in New York bands and Cuba's orquestas gigantes of the mid-twentieth century.
Hip-hop's preeminent collaboration between veteran rhyme-slayers El-P and Killer Mike have gone from a whim-driven underground rap project to a worldwide sensation since the release of their 2013 debut Run The Jewels.
Dead Can Dance's second album saw them experiment more with instrumentation, abandoning guitars in favour of cello, trombone and timpani. Widely acclaimed, there was now a richness of unification between voice and music, lyrics and structure.