Sleaford Mods felt out ahead, covering fresh ground alone at the time, before going on to inspire a raft of post-punk-infused artists to follow their lead in the album’s aftermath.
Released in 1982 by 3 ex-members of The Fall after they got fed up with Mark E. Smith following the release The Fall's debut album. Pleasantly fractured post-punk that sounds (not surprisingly) a bit like The Fall. THrEe ThUMbS uP!
Gongjoong Doduk’s dreamy pop electronica base set the tone for the group's more famous sophomore album. It’s endearing in a way that makes you wanna play it for both your grandma and your college homie.