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In the late 1970's Athens, Georgia was buzzing with a raw but sophisticated music scene. The turn of the decade began producing new sounds from bands like the B-52's, R.E.M. and Art-Rock luminaries, Pylon.
This album is a complete realization of the Echo & The Bunnymen sound: the driving rhythms, punkadelic guitars and Ian's harrowing voice atop it all....and it's only their first.
Bleeps, drones, tone sweeps echoes, the sound of a galaxy we were on the verge of inhabiting; it's a record at once wholly of its time and wholly of ours - since we live in that distant 21st century of weird electronic music.
Turbo charged by the dual guitar aggression of Ryan Waste and Nick Poulos. Locked in and ready for takeoff by rhythm section LandPhil Hall on bass and Dave Witte on Drums.
It's rare to come across such specific and purposeful prose in modern pop. But, alongside Bright Eyes' Conor Oberst and the Decemberists' Colin Meloy, John Darnielle is helping bring fine lyric writing back to life - NY Daily News.