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SLEATER-KINNEY is the first effort by acclaimed rock band Sleater-Kinney. Reviewer Zach Curd stated that the album "is a medium-fi blast of thrashy riot grrrl rock. Some tracks are reminiscent of 09s Sonic Youth, while others are just blasts of punk angst
Focusing on tracks previously available only on limited-edition compilations, vinyl-only releases, or as B-Sides or international singles, The Destroyed Room also features material that has never before been released.
Blonde Redhead finally emerges from the shadows of Sonic Youth's post-punk legacy by avoiding the expected detunings, distortions, and shrillness of the genre. The three-piece manages to create a record that is subtle, tuneful, and sublime.
On his 1963 debut release for the Phillips label, baritone saxophonist Gerry Mulligan is joined by familiar friends, including Art Farmer, Bob Brookmeyer and Jim Hall for a relaxed and refined set of cool jazz ballads.
