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Grammy-nominated singer/songwriter Jessie Reyez unveils her debut album Before Love Came To Kill Us. It follows the success of widely acclaimed EPs 'Kiddo' and 'Being Human In Public'.
"Pennsylvania native Alex Giannascoli's gnarled, wobbly, unfailingly melodic guitar pop evokes big star, Elliott Smith, and Built to Spill." -Pitchfork
The album finds him further exploring a sound that first found success in the electronic and noir-pop spaces, and now explores deeper roots in folk structures and an aching, emotive balladry.
YESSIE, the album title and moniker affectionately used by her family, touches on the self-destruction and healing that comes after the demise of a toxic relationship.
Beginning his career as a negro league baseball player in the early-1950s, he later pursued a career in country music, becoming the genre's first major black superstar.
Originally released in 1973, the record sounds simultaneously vintage and contemporary. It is akin to something Madlib might dream up whilst lost in Japan collaborating with Min'yō players at a recording session.