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Denzel Curry returns with King Of The Mischievous South Vol. 2, embodying his persona "Big Ultra." A long-awaited album blending sounds from the South's hip hop heritage, '90s inspired beats referencing Memphis and luminary groups like Three6Mafia.
A little country, a little gospel, a little hip hop, Jelly Roll ticks a few boxes and makes me want to sing along and tap my toes on the bus home from work.
The Detroit based drummer/DJ, Shigeto, is back with his first full length album in 7 years. If you enjoy a combination of hip hop/jazz mixed in with some Detroit style house, you'll love this album.
“Isles In Indigo” both stays true to his established sound, and expands on the artistic vision; a luscious combination of aquatic ambient, lo-fi hip-hop, and mellow, melodic electronic.
An arresting live album recorded at the Unitarian Church, Brighton, England that's a showcase for Julia Biel's commanding stage presence. The Chicago production duo of Chris Kramer and Midas Wells make breezy, soulful hip-hop with a classic feel.
Until now, guitarist-singer Dan Auerbach and drummer Patrick Carney of the Black Keys took an extreme do-it-yourself approach to record making, hunkering down in a basement studio or setting up equipment in one of the abandoned factories of their native A
Classics remains resolutely instrumental, but the band has introduced a wealth of new sounds, from acoustic and slide guitar to sleigh bells and cello. Their vastly improved production and writing makes this record a refinement of their art.
Engineer-producer Steve Albini has enabled Nirvana to replicate the savage immediacy of their live sound-the sound of a band without commercial aspirations or pretensions, just thrashing away for the sheer joy of noise.
While most bands reserve a self-titled album for their debut, the Dirty Heads, held off for an album deserving of the moniker. The band found one in their fifth studio release, a total culmination of their signature sound.
