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On Flying Lotus's 6th album, his sweeping jazz-funk feels limitless. It sounds more like a sketchbook, each minute crafted with great care and technical dexterity. He spent the past 5 years working on the album; 10 tracks swelled to more than 2 dozen.
For 26-year-old Steve Ellison's deservedly hyped third album, Flying Lotus loosened the reins and set out to make Cosmogramma, which his label, Warp, promoted as a space opera of sorts.
The Golden Age of Apocalypse offers both stone-cold skill and uncanny astrality, picking up where the Flying Lotus left off on 2010's Cosmogramma. RSD 10 year anniversary edition.
The insatiable, electrifying talent of Flying Lotus is back to treat us again. High concept beat-science is again order of the day, frazzled with invention, propelled by myriad time signatures and colour burst, cosmic-electronics.
Anything in Return serves as a tidy synopsis of everywhere Bundick has taken Toro Y Moi to date. So there's silky R&B, roller-rink pop, bubblegum funk, tasteful chillout music, all unified by a voice that's grown more confident with time. -Pitchfork
After three highly successful albums, many tours on both continents and prestigious festivals, the band returns this October with an album awaited by many in suspense. "The Way of All Flesh" will once and for all confirm the impressive force of Gojira, it