About Hiroshi Yoshimura
Hiroshi Yoshimura was born in Yokohama, Japan on July 24, 1940. He worked extensively across visual art, sound design, environmental music, and ambient music composition, with commissioned work for Japanese commercial spaces, museums, and home goods companies in the 1970s and 1980s. His Music for Nine Post Cards (1982) was originally distributed alongside the Hara Museum of Contemporary Art's collection. He is widely cited as a foundational figure in the kankyō ongaku (environmental music) movement alongside Inoyama Land, Yasuaki Shimizu, Yoshio Ojima, and others. He died on October 12, 2003 at age 63 after a battle with cancer. Light in the Attic Records launched a comprehensive reissue program of his work from 2017 onward, which has expanded his international reputation.
Sound and style
Hiroshi Yoshimura's sound combines ambient, kankyō ongaku (environmental music), minimalism, electronic, and Japanese new age with extensive use of vintage analog synthesizers, environmental field recordings, and contemplative compositional approaches drawing on Brian Eno's foundational ambient music alongside distinctly Japanese aesthetic traditions.
Discography highlights
- Music for Nine Post Cards (1982, Sound Process)
- Green (1986, AIR Records)
- Surround (1986, Misawa Home)
- Wet Land (1993, Misawa Home)
- Pier & Loft (1983/2024, reissue)
- Soundscape 1: Surround (1986/2020 reissue, Light in the Attic)
For collectors
Light in the Attic reissues of the Hiroshi Yoshimura catalog have been issued in multiple color variant editions and limited deluxe pressings, with collector demand. Original Sound Process and Misawa Home pressings are extremely rare collector items.
Where to start
Listeners new to Hiroshi Yoshimura typically start with Music for Nine Post Cards (1982) or Green (1986). Explore more: Electronic