About Can
Can formed in Cologne, Germany in 1968 around Holger Czukay (bass, tape work), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). Czukay and Schmidt had both studied under Karlheinz Stockhausen, bringing modern classical and electronic music sensibilities into the band's approach. The American-born sculptor Malcolm Mooney was the band's first vocalist (1968-1970), followed by Japanese vocalist Damo Suzuki (1970-1973). After Suzuki's departure, the four core members continued recording with various vocal arrangements. The band ceased active recording in 1979, with reunions and posthumous archival releases continuing through the 1990s, 2000s, and beyond on Spoon Records.
Sound and style
Can's sound is foundational to krautrock, combining rock instrumentation with extended improvisation, motorik rhythms (particularly through Jaki Liebezeit's drumming), tape editing and musique concrete techniques, and free jazz influence. Their work has been widely influential on post-punk, electronic music, post-rock, and contemporary experimental music broadly.
Discography highlights
- Monster Movie (1969, Music Factory)
- Tago Mago (1971, United Artists)
- Ege Bamyasi (1972, United Artists)
- Future Days (1973, United Artists)
- Soon Over Babaluma (1974, United Artists)
- Landed (1975, Virgin)
- Flow Motion (1976, Virgin)
- The Lost Tapes (2012, Mute/Spoon) - archival
- Live in Stuttgart 1975 (2021, Spoon) - archival
For collectors
Original United Artists pressings of Tago Mago, Ege Bamyasi, and Future Days are foundational items in krautrock and experimental rock collecting. The catalog has been extensively reissued through Spoon and Mute, with multiple anniversary editions and live archive releases continuing into the 2020s.
Where to start
Listeners new to Can typically start with Tago Mago (1971), Ege Bamyasi (1972), or Future Days (1973). Explore more: Prog & Krautrock, Experimental & Oddball