One of the prime architects of the organic grooves later dubbed trip-hop, Nightmares on Wax deserted their early formula in 2002 only when it became respectable and a crossover appeared most likely.
An extension of its satiric predecessor, Aphex Twin's "Windowlicker" focuses on eerie lounge-porn music (with a video to match) instead of the thrashcore of "Come to Daddy."
Don’t Trust Mirrors is a pivotal return to a project that was put on hold and to self-actualization, showcasing the experience of observing yourself through distortion, reflection, and the slow work of piecing yourself back together again.
Fourth studio album by English electronic musician, Richard D. James (ska Aphex Twin). Originally released in 1996, the album is regarded as his 'drill 'n' bass' showpiece.
A vibrant 1997 release from Richard D James aka Aphex Twin with two wildly different versions of the title track, including the infamous Pappy mix, alongside a pair of high-tempo works. An essential slab for any Aphex Twin fan.
The album, finished in London with longtime confidante Dillip Harris and bandmates Andrea Balency-Béarn and Marc Pell, is 37 minutes of Mount Kimbie at their most daring and giddily infectious.
Released in April of 1995, ...I Care Because You Do is the third studio album Richard D. James recorded under the Aphex Twin moniker and marks the end of his initial analog era. It’s also the crowning achievement in their canon.
Enter Stardust - Danny's first album since entering sobriety sees him rediscover his love of music, curating the next wave of star talent, who were heavily inspired by his music while exploring their own journey.
Originally self-released under the artist name 'Stereotype' in 1994, an hour of raw, dancefloor-focused early Squarepusher productions, fueled by pirate radio and rave, remastered from the original tapes and recut as 2 x LPs.