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Fourth studio album by English electronic musician, Richard D. James (ska Aphex Twin). Originally released in 1996, the album is regarded as his 'drill 'n' bass' showpiece.
It’s a record that effortlessly juxtaposes chopped up electronics and ghostly effects with James’ supersweet voice to create eleven strange but simple pleasures.
For the last 30 years, Medeski Martin & Wood have explored the boundaries of modern jazz, incorporating hip hop, avant-garde, world music, and electronic funk influences into their fearless improvisational style.
The album features a blend of upbeat funk and disco with melodic ballads, Brian Wilson-esque vocal harmonies, new wave-inspired electronics, and even gospel elements.
Because we want this to be available to as many inhabitants of the blasted apocalyptic landscape we have pencilled in for 2034 or so, we have decided to make this release available both digitally and on vinyl.
"Short, sharp, loud and proud, the Keys' set is an exhilarating reminder of the continued vitality of primal blues and rock: not back to basic but forward." –
2024's Infinite Love Infinite Tears is a surprisingly catchy program of free jazz, richly detailed and forthright, embodying a range of emotions and circumstances that convey individuality, collectivity and hope.