Their sonic collages create a symphonic, cinematic, and immense sound. With all their complexities, no words are needed to stir emotions, like a Robert Rauschenberg painting, a scene from a Jodorowsky film, or a drive down Mulholland with David Lynch. Early on as a sextet, which included dueling drums and guitars, bass, keys, and a vibraphone, the band’s musical foundation could be discovered in the grooves of records from post-rock legends such as Jaga Jazzist, Tortoise, and Stereolab. And with the addition of a horn section later on, David Axelrod and Steve Reich became major influences.
Like most bands, Grimace Federation has experienced some serious growing pains along the way, having lost two of its members to mental breakdowns with continual reconfigurations of the lineup. Now, solidified as a three-piece with core members Wes Schwartz bending sound on his laptop/electronic toys and Chris Wood leaving his drum kit bruised and battered, while Jim Calvarese lays down an ominous low-end, you can feel the increased weight of their music as latter day influences, like Mogwai and Black Sabbath, and a lifetime of collecting obscure underground hip-hop records seep into their symbiotic chaos. It’s been an honor for Grimace Federation to continue to shift sound for nearly a decade and a half, finding themselves working alongside renowned artists, such as Aesop Rock and Circa Survive, and landing opening slots with longtime musical inspirations Tortoise and Battles.
The band is currently set to drop its new EP The Measure In Mixture, via lauded hip-hop label Rhymesayers. Combining spastic krautrock beats with the grandeur of an Ennio Morricone soundtrack on a Boards of Canada sonic landscape, the album features two new tracks along with superbly badass, bass-heavy remixes from Aesop Rock. It’s a must-have for crate-diggers all over the world.