The idea behind the album is to view Umiliani's electronic output as the work of a scientist - a chemist or master craftsman who created magic in his laboratory or workshop. The record is hypnotic and minimalist with textured, ambient landscapes.
Ismael was known as one of the greatest soneros in salsa and Kako was one of the most popular timbaleros during the 60s and 70s, making the combination undeniably electric.
