Renowned avant-garde artist Phew returns to Mute for the album, New Decade. Working within the medium of voice and analog electronics, New Decade fuses her ghostly vocals with intense droning textures and clamorous guitar feedback.
Focusing on tracks previously available only on limited-edition compilations, vinyl-only releases, or as B-Sides or international singles, The Destroyed Room also features material that has never before been released.
Brazilian psych/soundtrack/avant garde masterpiece! Layers of textures meld into Santos' magnum opus. Like a weird soundtrack from the Brazilian Twilight Zone. You simply must!
WaxTime Reissue. Arguably Coleman's most concise statement. Pushing the boundaries of bop and ushering in elements of the avant garde. Backed by a masterful band, Coleman made himself a commanding presence with "The Shape of Jazz To Come."
Bunuel's amalgam of angular rhythms, drum salvos, blitzkrieging guitars and vocals that sound more like threats than promises is post-punk, proto heavy and arty up the ass. Arty as in avant-garde noise.
Cluster's self-titled debut was originally released by Philips in 1971; this edition is the first reissue to restore the track running order of the original Philips release. Includes liner notes by electronic avant-garde pioneer Asmus Tietchens.
The Bridge was originally released on Throbbing Gristle's Industrial Records label in 1979 and is considered to be an early electronic avant-garde synth-pop masterpiece.
