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Hard to pin down to a specific genre, she sings to stripped R'n'B ballads, power trap-pop and agile folk. "Being Human In Public" establishes her a lyricist you'd be a fool not to keep an eye (ear?) on. She is raw, she is uninhibited, as straightforward as she possibly could be, with no superfluous antics yet she also achieves a melodic flow and allows words to fall down her tongue in the most evocative way.
You might want to sign up for it just in case it's decent.
